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Review: Detective Comics #965
"A Lonely Place Of Living" - Part One
Writer: James Tynion IV Artists: Eddy Barrows, Eber Ferreira, Adriano Lucas and Sal Cipriano Review by Steve J. Ray
I’ve been looking forward to this story arc for a few months, since Tim Drake’s apparent death, and the appearance of the mysterious Mr. Oz. “A Lonely Place Of Living” is not only a fitting tribute to Red Robin, it’s also a loving tip of the hat to his origin story.
Tim Drake originally made a cameo appearance in Marv Wolfman and George Perez’ Batman: Year Three, but his first full story was Batman: A Lonely Place Of Dying. These 1989 classics introduced us to the Dark Knight’s third, and arguably most capable, sidekick.
Unlike his predecessors, Tim Drake wasn’t discovered or saved by Batman, he broke the mold by being the one who did the saving. This Robin saw a Dark Knight rapidly losing control after the death of Jason Todd, and sought out Dick Grayson. Tim didn’t set out to become a hero, but he turned out to be one of the very best. I was there when Tim Drake made his comics debut, and own all these great stories. Chapter one of “A Lonely Place Of Living” took me right back.
A Lonely Place Of Living
As we have become accustomed, James Tynion IV has given us another great script. The flashbacks to Tim’s past expertly tied into his current incarnation, at the hands of Mr. Oz. For those of you that haven’t read the issue yet, I won’t spoil the villain’s identity, but this story has larger ramifications. Since the advent of DC’s Rebirth the entire DC Universe has been on a path that leads to Doomsday Clock.This comics event has proceeded through Batman: The Button, the current Action Comics storyline: “The Oz Effect” and will come to a head later this year.
In this issue we are reminded why Red Robin is so great; his innocence, his mind, his competence and capability. His deductive skills rival Batman’s, while his technological abilities surpass even those of his mentor. Tynion beautifully retells Tim’s origin, while giving us an action packed escape story at the same time.
The art for this book is always first rate, and this issue is no exception. It’s great seeing Eddy Barrows back on Detective Comics. His pencils, the great, moody atmospheric inking of Eber Ferreira and colors by Adriano Lucas are terrific. Adriano’s lovely, almost sepia-tone hues for the flashback scenes contrast beautifully with the dynamic colors he uses for the present day. The cover art paying homage to Batman #411 is a real thing of beauty… “A Lonely Place Of Living” meets its maker. Lovely.
I am always impressed by the way that calligraphy supremo Sal Cipriano letters Detective Comics. Every new storyline has a new and different set of credits, and crystal clear captioning. A great job all round.
This issue has everything; nostalgia, character, action, and emotion. The way the writing and art come together as a cohesive and gorgeous whole is a constant with Detective Comics. I will never get tired of singing this title’s praises while the quality remains this high, and I really don’t see this team dropping the ball any time soon. This book truly is “Great comics 101”.
Images Courtesy Of DC Entertainment
(This review first appeared on the Dark Knight News website on September 29th 2017)
FINALLY! Well readers, Spoiler season has begun. Wizards teased us so heavily on the 19th with Vona's Hunger, but now we've finally seen the first of what Rivals of Ixalan has to offer. River Darter is, I think, intended for Draft, along the same lineage as Audacious Infiltrator. Thrashing Brontodon is also very good in Limited, being able to pop Pious Interdictions or Ixalan's Bindings, but may even see sideboard play in Dinosaur decks in Constructed to remove Cast Out, God Pharaoh's Gift or Gearhulks.
Article by Scott Hamilton I was recommended the good Professor whilst trawling around Spotify looking for new artists to listen to. I spend a lot of time travelling to and from work each day, so I’m always looking for something new and different to listen to. This splendid chap certainly ended up ticking all of my geek boxes. Professor Elemental is based in Brighton and trades in a very English take on Hip-Hop called Chap-Hop. The only way I can describe him is a polite Eminem, raised by the Monty Python team in a comic written by Jules Verne and illustrated by Jack Kirby. It’s certainly a niche market.
The Professor character, a geeky explorer / inventor who loves to experiment and go on adventures with his orangutan butler Geoffrey, was originally intended for just one album (“Rebel Without Applause” released in 2009) and takes what can only be described as a very English take on a style normally associated with the USA. In fact, his first breakthrough was with the single “Cup of Brow…
Rob Lane provides the bottom end in Ryan Hamilton and the Traitors. Onstage he’s a blur of hair,
throwing shapes with his trusty bass like a full on rock star. Away from the
band, he heads up his own project Straight
To Video, a mix of rock/punk music which draws influence from eighties
culture in general, as well as creating some cool merchandise to go along with
the music. Rob was cool enough to chat to us recently about
music, the eighties and being a geek.
Scott Hamilton: Would
you like to tell us a bit about yourself Rob? Rob Lane: Hey
Scott.... Thanks so much for reaching out! So, I guess I start with introducing
myself.... my name's Rob Lane... a bass player from the East Midlands /
Nottingham / Derby area. I've been actively playing with various bands for the
best part of 20 years. For over ten years I was the bassist for Nottingham
Power Pop Rockers TEENAGE CASKET COMPANY...
we had a pretty good run from 2003 through to November of last year, …