Fan Retrospectives: 'Batman: The Long Halloween': Punishment
Writer: Jeph LoebArtist: Tim Sale
Color Artist: Gregory Wright
Letterer: Richard Starkings
Color Artist: Gregory Wright
Letterer: Richard Starkings
It’s the final chapter of “The Long Halloween” and Alberto Falcone has been revealed as Holiday, but that may not be enough to stop his killing spree. Also, what will happen when Two-Face finally rears his ugly head?
Before diving into the actual issue, let's examine the cover. The image is layered with symbolism and allusions and depicts a half-rotten pumpkin, which is an obvious visual callback to the first issue’s cover. The half-decaying look symbolizes Two-Face, but also represents Batman, Gordon, and Dent’s fraying mindset. The desecrated nature reflects how shaken their values are left, after the events of this chapter.
Alberto “The Good Son”
Alberto definitively states that he is Holiday. The irony is that he was always the “Good son” who never directly participated in the family business, but now, his crimes eclipse his own family’s.
Fortunately, the armored guard that Alberto shot earlier springs back to life and dispatches Alberto quickly. As the guard reveals himself to be Batman, he utters an ominous phrase:
“This is only the beginning.”
The phrase can be taken a number of ways. It could mean that the beating Batman’s handed out is just the beginning, or it could also be interpreted as a message of hope. Now that Batman knows Alberto cannot escape him, his mission to end the mob is at an end and hopefully the beginning of something better. The phrase also can be seen as ironic foreshadowing. Now that Alberto has proven the effectiveness of an otherworldly persona, the era of the “Super villain” officially begins.
Whatever Batman meant, he pummels Alberto to the point where he's choking on his own blood. Gordon talks Batman down, reminding him to not cross the line.
After Gordon books Alberto, Falcone visits him in lockup. He pleads with his son to confess to only Maroni’s murder in hopes of a lighter sentence. But Alberto does not care. He has always been overlooked and under-appreciated. Falcone never let Alberto help in his mob dealings. The irony is that Alberto’s proclaims how he is more famous than the Falcone crime family. Super villains have now replaced mobsters.
Take a second to look at how creepy-looking Alberto is when he declares himself as Holiday. Artist Tim Sale creates a surreal-almost supernatural-way of uplighting Alberto’s face. He took Alberto’s defining glasses, and transformed them into a pseudo-mask. It doesn't make real-world sense, but who cares? Seeing only Alberto’s eyes and grin is the most menacing image in the issue.
The Downward Spiral
Flash forward to Halloween night. Harvey Dent’s been missing for over three months. Now, he's releasing all of the super criminals from Arkham except for Calendar Man. Snubbing the narcissistic Julian Day is poetic justice for screwing with the Holiday investigations. It's also subtly laying the foundations for Calendar Man’s arc in Dark Victory.
Meanwhile, Falcone throws a tantrum at the news that Alberto is getting the death penalty, which is weirdly fast for Gotham’s judicial system. It hasn't even been two months since Alberto was apprehended, yet somehow the courts have already set the trial, held it, convicted him, and decided to send him to the gas chamber. Why the heck can’t the courts be as efficient with the Joker?
Before Falcone can think any further, the lights go out. The crime-lord, his daughter, Sofia Gigante, and their crew of guards arm themselves and head to the main office. There they see that the villains have gathered in his office to take him out, and who else could lead them but…
Harvey “Two-Face” Dent himself.
“How much longer did you think I would let the Falcone family tear Gotham City in half? Splitting the city between good–and evil. My city”
The lettering and speech bubbles add extra visual symbolism for Dent’s slide into villainy. Dent’s dialogue starts out reasonable, but then ends up villainous. From that point, Two-Face’s speech bubbles become jagged.
This is another perfect, suspenseful build-up in a book full of amazing character reveals. However, it's dampened by how illogical the scene is. Why did all the villains decide to come with Harvey? How did Two-Face even get contact Catwoman? What the heck is the Penguin doing there? This is literally the first time he’s appeared in the entire series!
Don’t worry, though. Readers won’t have time to think about the wonky internal logic, because Batman tramples them in two-and-a-half pages. What stops the Dark Knight in his tracks is seeing Two-Face for the first time. The former D.A. flips his coin and it comes up scarred.
He shoots Falcone, thus cementing his role as a remorseless villain.
The Long Halloween Ends
Despite everything that has happened, Batman still believes in Harvey Dent. He reaches out and tries to appeal to their friendship, but Two-Face is too far gone and knocks Batman out. This is Batman’s last heroic act of the story and it ends in resounding failure. Two-Face escapes and murders his old assistant in cold-blood, because of Batman’s merciful act. This will haunt Batman and solidify his distrust issues in Dark Victory.
Despite everything that has transpired, Two-Face assures Batman and Gordon that there's still some piece of the old Harvey left. On the same rooftop where the three of them made a pact a year prior, Two-Face surrenders. The Long Halloween is over, but look how it's affected our heroes.
“Yes. The good guys won, Batman,” Gordon proclaims, but then, he hesitantly admits, “But I won’t know if it was worth it for a very long time…”
This is the most heartbreaking scene in the whole series. Technically, Batman, Gordon, and Dent succeeded in their mission to take down the mob, just not in the way they expected. Nor did they ever think that the mob would be replaced by something even worse. It was a pyrrhic victory at best. In retrospect, the sequel series Dark Victory is very aptly titled.
What About Gilda Dent?
There is no way around it: the ending revelation that Gilda was the first Holiday killer is divisive. If you apply it to the previous chapters, it makes no sense... at least to me. Apparently, a common housewife was able to sneak into a guarded compound and kill Johnny Viti. Or what about when she was hospitalized during Thanksgiving and Christmas? She got out of her hospital bed and surprised a gang of career criminals? The list of contradictions goes on. I know that many fans seem to like, or even love, and understand this turn of events, but I found it confusing.
For me it's strange that writer Jeph Loeb was so deliberate with his storytelling, but then wrote a scene that I feel felt so… tacked-on? It seems disconnected from the rest of the series, and the sequel. Dark Victory doesn't follow up on this plot at all. This just leaves some readers with the thought of “Why is this here?”
“The journey is more important than the destination.”
That’s what I thought about this final chapter. Loeb and Sale nailed so many good scenes. The dramatic Two-Face reveal, Alberto flaunting his new-found fame, and the final Gordon/Batman interaction.
The writing here is noticeably looser than in previous chapters. How did Alberto get convicted so quickly? Beats me. How did Batman take out all the villains so easily? Who knows? Is it really possible for Gilda Dent to kill so many people unnoticed? I guess so? It's probably better not to over-analyze the details of the issue’s plot so much and just look at it as an emotionally sad ending for Harvey Dent.
Overall, The Long Halloween is suspenseful, intriguing, and most importantly, tragic. Real life does not have any clean resolutions, and neither does Batman’s world. This is what makes The Long Halloween one of the quintessential Batman stories.
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